Tuesday, April 15, 2014

Áo Dài, the traditional Vietnamese dress

Áo Dài is a traditional Vietnamese dress. "Áo" classifies the item as a piece of clothing on the upper part of the body. "Dài" means "long". It is commonly worn by women, though it has been worn by both men and women is history.

Traditionally, the color of the dress is indicative of the age of the wearer. Young girls wear white. As they grow older, but are not married, they wear pastels. Then older, married women wear rich and darker colors.

The Áo Dài is created precisely to fit the person it is made for so that it is flattering. Many shops in Vietnam will take tourists' measurements and the dress will be ready in one day. However, they usually take a few weeks to make high quality ones.

As the country has developed, so has the garment. It has become more than just a traditional dress. It is a symbol for Vietnam and a fashion icon seen in many pageants. More casual versions are often worn to school or work and lace ones can be seen on brides.

As the Áo Dài has become more popular in other countries, it has started to be mass produced. This is resulting in alterations to the design, which changes the look and essence of the traditional dress. However, those who have been to Vietnam and seen the real Áo Dài dresses agree that the traditional design is the most beautiful.
Bridal Áo Dài
Casual Áo Dài 
Áo Dài Pageant
Historical Áo Dài

Dreams- A Poem


This poem is written from the perspective of the wife of a drafted soldier. An occurring theme in books by Tim O’Brien is that innocent people’s lives are uprooted to fight a battle that isn’t their own. The soldiers of the Vietnam War were young men, straight out of college and high school. They had dreams and plans that had to be postponed or forgotten as soon as they received a draft letter. Often times those men would leave behind loved ones, be it family or a significant other. While being on the front line was horrific and brave, what their loved ones endured was not an easy feat either. 


When I was a little girl
I was taught to dream
Prince charming would come find me
A white bride I would gleam

When I grew older
I was taught to plan
My dreams became reality
I found a dashing young man

Then came a letter
All that I knew had changed
They took my prince charming
Forcefully estranged

Worry then controlled me
I dreamt one thing would come true
The war would end and he’d be safe
So we could dream again, as two. 

Four Perspectives

It's 1968. A Viet Cong soldier lays dead on a dirt road surrounded by jungle. The soldier responsible, the lieutenant of the company, a small child in the distance, and a fellow Viet Cong soldier hiding in the bushes are present at the scene.

Lê Thủy Anh (Small Child):
It was always so dark in the tunnels. Whenever the Americans made loud noises above us the ground would shake, cracks would form and dirt would fall. All I have is memory of the tunnels, the cold, damp dark. I never got comfortable underground, these past 7 years have felt like I was suffocating, like I was buried alive with no way out. I always wanted to venture above and breathe in the fresh air, but since there was a war going on it made things difficult.

 I tried to understand what the older men would say about what was happening above us, and since it was always so easy to eavesdrop in these tunnels I heard a great deal of what they were planning. I couldn't make sense of it though, why Vietnam? Why are they even here? From what I could tell, they were the one's destroying our livelihoods, our country, our home. What did we do to offend them?

I was always so curious. I wanted to see what was happening up there. I wanted to help fight.

I crept down the tunnel, holding my breath, following the voices ahead of me. My father had just left with one of his buddies. They were headed for one of the southern entrances, the closest one to our home. I saw a bright light ahead of me, something I've never seen before, and watched them climb up a ladder from the shadows.

Leaning against the wall, I shuffled toward the opening, aware of every sound around me, and slowly climbed up the ladder and pushed open the hidden door.

It was really bright outside, and before I could take in my surroundings I heard a shout in a language I didn't understand. I turned and watched my father get blown off his feet by a power unknown to me that violently shook the ground, throwing me off balance. All I could do was stare, wide-eyed and fall back down the hole, back into the tunnels.

Time stood still. A powerful force hit me and burned through my chest, I started to cry. I wanted to scream.

How dare they take away my father, pillage and kill. Don't they know how it feels? All we want is to get out of this hole. I don't understand. Why did this happen to us?
(Emily Parker)

Jackson Lowe (Soldier responsible):
I pushed myself up and sat on the dirt road. I wiped the sweat off my brow, only to smear mud in its place. My bag had been thrown on the ground and my hands were empty. It took me a moment to realize what I had done.

I remember the explosion, Lieutenant Harrison yelled and we jumped off to the side. Covering our faces, we guarded against the shrapnel and smoke but no barricade could guard against the guilt that began to overwhelm my body.

I could see myself the day before, sitting around the fire playing cards and talking smack about Lieutenant Harrison. Day after day we made the best of where we were and anticipated the day we could return back to our old lives, if we were that lucky. I wasn't a killer; I was just a guy who had been swept up along in somebody else’s battle.

As I stood on that dirt road I tried to convince myself that the man laying in front of me was the enemy. That he wanted me dead and I had to protect my troop and myself. As much as I needed to be able to hate the man lying on the dirt road, in my heart I knew that he was just like me. Like me, he had a family who loved him, a livelihood he was anxious to return to, and a wish for peace. He was just like me except one thing was different. I was alive and he was dead. I had killed him.
(Julia Khoury)

Lieutenant Butch Harrison:
This worthless grunt. Can’t even kill a man without getting leaky. When Lowe finally focused his eyes on the dead gook lying face up in the path, he quickly averted his gaze. Too soft to even look at what he had done. 

This is war and Nam is the enemy. The gooks hide among the bush and conceal themselves in the boonies. Like raving savages they attack from behind. Cowards. America is in a noble war for a noble cause. It is our obligation to protect civilized countries from contamination by the Reds.

Yellow-bellied pansies like Lowe give honorable soldiers a bad name. But more and more frequently the FNGs they send over are getting flaky.

I straightened from my protective crouch at the edge of the trees, briskly brushing the dirt and shrapnel from my fatigues. As I prepared to reassemble my platoon, I scanned the jungle for any remaining VC. Those slants were as rampant as the rats, but they could disappear like phantoms. I placed a hand on Lowe's shoulder to commend him on his first, albeit cowardly, kill. 
“Soldier time to move out.”
I kicked the wasted VC as we continued to hump up the path.  
(Joelle Bruckert-Frisk)

Hoàng Văn Tông (Viet Cong Soldier):
The smoke clears and I see him lying there, his face unrecognizable, and one arm missing. After a few seconds I spot it a few feet down the path. Had it really been only minutes ago that he flashed his famous grin at me? I am frozen for what seems like an eternity as I try to remember what it looked like.

Then I hear voices. My body tenses as a couple of Americans climb through the trees, towards his body. I don’t know what they are saying, but the younger one, no more than 20 years old probably, has a look on his face that I will never forget. A mix of shock and horror. The other man, a little older, has his hand reassuringly placed on his companion’s shoulder. No, he’s thumping him on the back. He’s commending him. They approach the body and the younger man falls silent. My legs ache from crouching but I remain still. If I’m discovered they will surely kill me too.

For a few minutes, the younger man doesn’t say a word. He just stares at his hands, his eyes avoiding the body. Then, the older man pulls him away, throws a kick, and they disappear down the path. I slowly come out from my hiding place, shaking with anger and fear, and face the direction the men went. Suddenly, I become aware of the weapon in my hand. The weapon, that months ago, I had barely been able to pick up without cringing. And now, there’s a part of me that wants to use it, chase after the men that took my friend’s life, and seek revenge. The thought sends a shiver through my body. Instead, I turn around and approach my fallen friend.

I can’t bear to look at his mangled face. Instead I take his hand. I imagine him holding hands with his wife, picking up his little girl, tousling his son’s hair. The calluses and scars show the hard work he’s put towards creating a life for his family. The smooth parts are evidence of all he had left to give. Everything he had taken from him. Is this worth the fighting?
(Emilia Anderson)

Monday, April 14, 2014

Peace Movement

The peace symbol is most often associated with the protests pertaining to the Vietnam War. When the protests first began, they were mainly made up of peace activists and college students who detested the drafting process. However, after the government increased the amount of soldiers sent over to Vietnam, protests began to become more popular with the general public because of this widespread dislike of the war.


The media had a huge influence on the people back home as well. Since a lot of pictures and videos could now be taken overseas, many civilians were exposed to disturbing images of the destruction American troops caused in Vietnam.

 
The most devastating protest during this time was held at Kent State University. When the protestors began to get violent, 4 students got shot and 10 others were wounded by National Guardsmen.  

Concurrently, the hippie movement surfaced into our culture, adding to the protests and preaching peace to all.  Music transformed with this movement, as well as fashion and the mindset many young adults had towards the government.


http://www.history.com/topics/vietnam-war/vietnam-war-protests
http://www.historylearningsite.co.uk/protests_vietnam_war.htm

Loop

Always fighting,
burning, killing
A tape on replay

I remember her face, yet
It's fuzzy, black and white

My instincts take over
I'm one with the land
Hands dirty, stained

Its hard to recall
How had I lived
Before it all went
To hell

Eyes everywhere
Watching
Nowhere to run

Tame turns
Wild
Unraveled mind

Never the same

This original poem is inspired by how war can affect a soldier's mind and change them into someone completely different from who they were before they left.

Found Poem: Attention All Military Personnel

Attention All Military Personnel

You may soon be sent to Vietnam.
The enemy, they say, is everywhere.
The old woman feeding her chicken.
The little boy who trails after the American soldiers.
The washerwoman at the American air base.
It is impossible to tell which are the Viet Cong,
and which are the civilians.
The military is taking no chances.

Your job is to win the people of South Vietnam
Win them to what?
The American way of life?
We can't speak their language
or even pronounce their names.
We don't know anything about their religion
or even what it is.
We never even heard of Vietnam
until Washington decided to run it.

As a soldier you have been trained to obey orders,
but as a human being you must take
responsibility for your own acts.
We hope that you find yourself
unable to tolerate this nightmare war,
and we hope that you will oppose it.

We don't know what kind of risks we are taking
in giving you this.
You won't know what risk you will be taking
in opposing the war.

But whatever you do,
keep your eyes open.
Draw your own conclusions .
Don't be afraid to ask questions,
keep asking.

You might be forced to do some fighting.
You may feel the war is wrong.

Good luck.

     This is a found poem is derived from a pamphlet that was distributed to induction centers, American military bases, and sent to soldiers in Vietnam. The pamphlet's circulation provoked threats of incrimination for treason. The found poem conveys the disapproval many felt for the Vietnam War and the opposition they felt was necessary.
   

And Then to Black - PTSD Poem

Flash,
yellow to red.
Green to white, and then,
black.
The sounds ceased.
Vanished.
Viet Cong cloaked in the quiet.
Flash,
back to green.
The traffic began to flow,
American cars and steel buildings.
Not the VC.
The Viet Cong belonged,
to the jungle,
to the war.
Not the here,
not the now.
But there they were,
in the shadows,
in the sounds,
in the streets.
Contaminating,
infiltrating.
The traffic light switched,
back to yellow,
then black.
Eyes shut,
to block out,
the past, in the now.

An original poem written to imitate a possible experience of a Vietnam Veteran suffering from post traumatic stress disorder.